Crooked Rhyme

"The poet reads/His crooked rhyme."--"Bleecker Street," as sung by Simon and Garfunkel, 1964. This blog is dedicated to the poems of Kelley Dupuis.

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Location: Washington, D.C., United States

I love a rainy night, but never cared much for the late Eddie Rabbitt. I'm a writer and editor by trade, weekend painter and one hell of a cook by avocation. I make a fabulous daquiri using Ernest Hemingway's recipe. I love classical music and jazz when I'm at home, classic rock when I'm barreling up the interstate at 70 mph. I have a Trek road bike and a Cannondale mountain bike. I turned 53 on Oct. 12, 2008. Peanut butter goes great with coffee. My favorite pianists are Glenn Gould and Thelonious Monk. I've lived in Europe, South America, Africa and Russia. I speak a little Russian. I can say the Pledge of Allegiance in Spanish. I know how to make feijoada, the national dish of Brazil. I once drove in a demolition derby. I love baseball, but I bear the cross of being a San Diego Padres fan. I hate cellphones. I like good Scotch, quality cigars, Frank Sinatra and delicatessen fare. I collect books. I'm a lousy chess player. Mozart is God.

Sunday, July 27, 2008

Photo Album

for Lena

Living is more dangerous than anything. – Randall Jarrell

One old photograph looks pretty much like another.
What difference whether it was your mother, or hers,
I held in my hand that unbearable summer night?
Time erases, and faces get lost. What remain,
Unchanging even as faces change, (though every
Bit as doomed) are pictures like this one, frozen
For as long as late-summer cicadas hum in your head:

The light was burning in the kitchen. Cars went by.
The television was on, the sound turned down low.
In the next room lamplight fell on the piano keys.
You showed me that photograph: Russia, the fifties,
чёрно-белый. Yes, your mother was beautiful.
On another, happier night, it might have brought out
Your volume of Pushkin, or an old recording.

But that night, no—it was an ambush, unwelcome,
Bringing to mind another, far, suddenly so far away—
Brando in the old film Sayonara never knew such angst—
Like the shock of familiar writing on crumpled paper.
What happened next dismayed you, but then, both of us
Forgetting momentarily that grief is as ephemeral as joy,
You spoke softly to the silly drunk in your arms.

Kelley Dupuis
1/24/97

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